Infinite Proximity explores the mechanics of visual consumption in a system where fantasy has been outsourced to code. The work takes the familiar form of the infinite scroll — the passive gesture of browsing turned into a ghost train of algorithmic hallucinations. Here, images do not derive from mass data, but are generated live, interpolated from a personal set of advertisment. Instead of intimacy, the work stages projection — the flat seduction of aesthetic signals that hint, promise, suggest, but never fully deliver. Each scroll becomes an act of micro-transport: not into a real world, but into a commodified dreamspace, shaped by expectation and repetition. By removing control from the user and assigning agency to generative processes, Infinite Proximity reflects on the hyper-aestheticised logic of content delivery systems, where desire is looped, repackaged, and rendered edible. It is not the archive that is activated, but its ghost. The piece stands as a quiet critique of the continuous surface of digital culture: always loading, never arriving. The scroll — the compulsive gesture of the contemporary digital body — becomes a ritual, a form of emotional tuning with a machine tthe work generates continuous, unrepeatable visual flows. These images, at once poetic and absurd, resist indexing.Rather than offering intimacy, the piece stages projection: a shimmering interface of fabricated closeness. It reflects the emotional choreography we perform with machines — tuned by likes, refined by clicks, optimized for engagement — and asks whether in all this, we are still able to tell the difference between recognition and reflection.
